NET Event
NET (Networking Education Technology) fosters connections through accessible, expert-led education on the most current and important technology topics.
Touch the Workflow: Cameras, Cloud & Creative Technology in Action
What truly defines a modern workflow? Join us for the next NET Roundtables as we deep dive into that question, bringing industry leaders together around capture-to-screen technology and the evolving landscapes of review and post production.
This interactive NET experience is built around hands-on discovery, with guided stations featuring cameras, color, cloud infrastructure, and the latest tools driving media pipelines. Explore real-world workflows, connect directly with the technology, and touch and feel the outcomes firsthand.
Get up close with real-world solutions in areas such as:
- From Camera to Screen | Record, stream, monitor, and manage the image like a DIT dream
- AI Infrastructure Manager | Where compute, storage, and creative workloads come together
- The Metadata Machine | Turn media into assets that know where they came from and where they’re going
- From Idea to Lineup | Build the creative pitch before the cameras roll
- Review with the Special Sauce | Connect camera flows, modern review, and full workflow integration
Networking Education Technology
- Tuesday, July 14, 2026
- 4:30 pm – 7:00 pm
This is a pre-paid event
- HPA Members – $60
- Non-Members – $90 (Opens 6/24, space permitting)
- Not a member? Join Now!
Sheraton Universal
- Starview Room
- 333 Universal Hollywood Dr, Universal City, CA 91608
Moderators
Ron Eli Cohen
Producer
Table Topic: From Idea to Lineup – Build the Creative Pitch Before the Cameras Roll
Ron Eli Cohen started his career at TWC Films, a prestigious global commercial production company founded by Mark Thomas and studio producer Ralph Winter.
Throughout his work, Ron has collaborated with companies like Alcon Entertainment, Netflix, Snapchat, E-One, and Amazon, contributing his expertise to diverse projects ranging from independent features to streaming series.
Among his recent highlights , Ron helped craft the opening musical oner for Leos Carax’s Annette, Executive Produced Harmony Korine’s Aggro Dr1ft, and Produced the twelve-episode Netflix series On the Verge, starring Julie Delpy, Elisabeth Shue, and Giovanni Ribisi.
Currently, Ron is in post on the groundbreaking Saudi-Turkish Comedy My Treat, for Alamaiya Filmed Entertainment and Front Row Productions. Additionally, he’s in prep on The High Line, a contained thriller from writer Tony Basgallop (Servant, The Consultant, Berlin Station) and Director Alexis Ostrander (Interview with a Vampire, The Consultant, Cruel Summer).
Kenta Honjo
RED Digital Cinema
Table Topic: From Camera to Screen – Record, Stream, Monitor, and Manage the Image Like a DIT Dream
Dane Brehm
Cintegral
Table Topic: From Camera to Screen – Record, Stream, Monitor, and Manage the Image Like a DIT Dream
Dane Brehm is an entrepreneur, production technologist, and Digital Imaging Technician (DIT) specializing in the intersection of creative technology, innovation, and media sustainability. His direct approach, collaborative personality, and consideration for creatives bring meaningful
execution to the needs of studios, broadcasters, and production crews.
Dane’s passion is growing Cintegral.tech, a workflow service company focused on providing Value Add services, specializing in high-performance enterprise NVMe/SSD and connectivity solutions for Producers.
For the last 12 years, Cintegral has operated under the creed “Fast Drives, Save Lives,” supporting over 180 productions annually which includes feature films, episodic television shows, broadcast, motorsports, and music festivals. Dane’s connective personality has forged deep partnerships with OEMs, Telcos, and Suppliers to develop tools, operations, and platforms for crews across the US, Pacific, Europe,
North America and the Caribbean.
Dane is an ASC Technical Instructor, a Television Academy Member, and a Local 600 Guild member. His most recent contributions include Research for the Entertainment Technology Center @USC, the ASC-MITC committee developing the ASC MHL and FDL standards, and he is an active participant in the Movie Labs OnSet Ontology working group.
On a community level, he is a founding member of the DIT collective “DIT-WIT,” which comprises over 360 global members. When he’s not working, he enjoys traveling with his wife and family, attending LAFC matches, and is an active Los Angeles community volunteer.
Brandon Heaslip
Colorfront
Table Topic: Detection to Delivery — No Lost Frames in Between
Brandon Heaslip is Director of Solutions Engineering at Colorfront, where he designs and supports end-to-end film and digital workflows—from on-set capture through immersive post-production, cloud finishing, and archive—for clients including Netflix, Amazon Studios, Apple, and Company 3. He led the design and deployment of Apple Immersive workflows for Apple Vision Pro, working directly with Apple’s internal production teams. With more than 20 years in the industry, Brandon has held senior engineering roles at Apple, Codex Digital, and Technicolor. His expertise spans SDR/HDR color pipelines, high-performance media systems, and spatial video across macOS, Linux, and Windows.
Jason Fotter
BIND Studio
Table Topic: AI Infrastructure Manager – Where Compute, Storage, and Creative Workloads Come Together