Revolution Music Video Completed with URSA Mini Pro and DaVinci Resolve Mini Panel
Blackmagic Design recently announced that DP Vance Burberry used its URSA Mini Pro digital film camera and Video Assist 4K monitor/recorder to shoot the music video for songwriter and performer Van William’s song “Revolution,” which features Swedish folk duo First Aid Kit. Burberry, who has shot music videos for Guns N’ Roses, Pearl Jam, Santana, Coldplay and more, also used DaVinci Resolve Studio and the DaVinci Resolve Mini Panel for color grading.
Directed by Grant James and produced by Milkt Films, the song tells the story of a relationship full of conflict and its eventual demise. “It’s an emotional performance delivered by Van, as well as Klara and Johanna Söderberg (First Aid Kit) within the confines of a black void,” said James. “The focus was to compose moving portraits of the artists that express the meaning behind the lyrics of the song as they go through an emotional journey individually and together. The result delivers a variety of raw and striking imagery that balances the fine line between high fashion cinematography and keeping our subjects grounded in their own natural aesthetic and realism.”
Burberry added, “We went with a black and white look to help emphasize the photography and story as much as possible. We wanted the look to evolve as the story progressed, so it was essential to have strong photographic images to work with, which is why I chose the URSA Mini Pro. The camera’s 15 stops of dynamic range really shone in grayscale, and you need that wide gamma of dynamic range when you are into deep shadows and blacks through to over-exposed edges, which roll off very film-like with the URSA Mini Pro.”
Burberry also noted that the URSA Mini Pro’s tactile controls helped him change settings and check looks without missing a beat. “We jumped around from 23.98 fps to 60 fps and having that high frame rate button right on the outside of the camera was super handy,” he explained. “I also looked at RAW and LOG a lot, using grayscale and false color to check exposure. I assigned RAW to function one (F1) and false color to function two (F2) and could easily switch between the looks with the press of a button. I love that the function buttons are customizable.”
“I also loved being able to drop in the URSA Mini Pro’s built-in ND filters depending on the shot,” he added. “The quality of light was not always the same, and I also shot a little hot at 800 ASA and used the ND filters. This allowed me to shoot at a wider aperture to achieve a shallower depth of field. All these added features were extremely useful and streamlined my workflow.”
“I used the URSA Mini 4.6K on several occasions, but this was my first experience with the URSA Mini Pro, and the design and control upgrades are fantastic,” said James. “I enjoy the filmic nature of all Blackmagic Design’s cameras and how simplified the workflow crossover is from production to post. Since we shot the video in high-contrast black and white, the camera allowed us to get those rich blacks while maintaining plenty of detail within the camera’s dynamic range to control our final product.”
In post, Burberry used DaVinci Resolve Studio and the DaVinci Resolve Mini Panel to enhance the theme. “The video starts out with a clean look, and as the story is told, the artists’ hair gets messier and they’re screaming and crying. By the end, they look terrible in a very beautiful way,” he said. “I started off less contrasty and open in the midtones, and as the song intensified, I decreased the midtone detail just to soften everything up. I then increased contrast and darkened up the midtone details, as well as pushed the highlights hard. Increased midtone detail also brought out the texture of the skin thanks to the detail captured with the URSA Mini Pro.”
“We really pushed the image, but it still stayed beautiful and clean, and DaVinci Resolve Studio’s exceptional tracker came in handy. It’s easy to move, change size, softness and curve; its power is incredible,” Burberry concluded. “On top of that, the DaVinci Resolve Mini Panel made it so easy to add nodes, save and recall stills, move back and forth in frames, build Power Windows and more. It’s incredibly efficient since all the buttons are at my fingertips, and the panel itself is the real deal – it’s solid and sturdy. It really helps me be able to complete these projects myself, which is fantastic.”
Van William’s The Revolution EP will be released via Fantasy Records on September 8th, 2017. To view the music video, please visit: www.youtube.com/watch?v=vzVIwNucZ8A. For more information about Van William and The Revolution EP, please visit: http://vanwilliammusic.com.